Robert Mangold
North Tonawanda, New York 1937
Photo credit John A. Ferrari
Underlying his works, though it is not highly visible, is a strong challenge to logic. But it is concealed by the imposing presence of the color, an invented color.
Robert Mangold, 1/3 Gray-Green Curved Area, 1966. Oil on Masonite, 2 panels, overall: 121,9 x 212,7 cm. Solomon R. Guggenheim Museum, New York, Panza Collection, 1991. © 2018, ProLitteris, Zurich. Photo David Heald / The Solomon R. Guggenheim Foundation, New York
Robert Mangold, Distorted Square Within a Circle, 1973. Acrylic on canvas ∅ 50,8 cm. Private collection. © 2018, ProLitteris, Zurich. Photo © Giorgio Colombo, Milano
Robert Mangold, Circle Painting 6, 1973. Acrylic and colored pencil on canvas, ∅ 182,9 cm. Circle Painting 6, 1973. Acrylic and colored pencil on canvas, ∅ 122,2 cm. Solomon R. Guggenheim Museum, New York, Panza Collection, 1991. Installation view Minimal + Conceptual Art aus der Sammlung Panza, Museum für Gegenwartskunst, Basel, November 9, 1980 - June 28, 1981. © 2018, ProLitteris, Zurich. Photo © Giorgio Colombo, Milano
Robert Mangold, Circle In and Out of a Polygon 2, 1973. Acrylic and graphite on canvas, 183,2 x 182,9 cm. Untitled, 1973. Acrylic and black pencil on canvas, 182,9 x 182,9 cm. Solomon R. Guggenheim Museum, New York, Panza Collection, 1991. Installation view Minimal + Conceptual Art aus der Sammlung Panza, Museum für Gegenwartskunst, Basilea, November 9, 1980 - June 28, 1981. © 2018, ProLitteris, Zurich. Photo © Giorgio Colombo, Milano